A small fixed palette beats infinite options
Fewer choices, made deliberately, outperform unlimited choices made carelessly.
16 connections
superseded Nice to haves are must haves
I used to believe "nice to haves" were table stakes - that a feature not shipped was a product not finished. I've dropped the belief, but not before it padded a lot of MVPs past the point of usefulness.
has the special case Optionality is a tax you pay forever
The cost of a choice isn't making it once. It's carrying it, supporting it, and explaining it forever after.
has the special case The default is the product
If almost nobody changes a setting, then the defaults you shipped are the only ones that exist.
is in tension with Change your mind when the information changes
Staying open to better information argues for keeping options alive. Committing to a small palette argues for closing them. Both are right and they pull against each other constantly.
reinforces Taste is mostly subtraction
Two versions of the same instinct: one about what you offer, one about what you keep.
is broken by An unreasonable number of electric guitars
The clearest counterexample I own. I am certain the principle is right and I am equally certain I need another guitar.
was taught by Cherry sunburst Les Paul Standard
Two pickups and a switch. You can't configure your way out of a bad take, so you learn the instrument instead.
is illustrated by Linoleum block relief printing
You choose the plate, the ink and the edition before the first pull. The constraint is decided up front and then you work within those constraints.
is illustrated by Played one guitar for a year
Everything else went in a case for a year. Somewhere around month four I stopped thinking about the guitar and started thinking about the music.
is broken by The parts Telecaster
I built a guitar with infinite options and then spent a year adjusting it instead of playing it. I know better and I did it anyway.
was taught by BA, Art Studio — UC Santa Barbara
Every assignment came with a restriction: one color, one process, one size. I spent four years learning that the limit is what makes the decision interesting.
is illustrated by Bought the Les Paul when I graduated
One guitar, chosen deliberately, to mark the end of five years. No shortlist, no comparisons needed, and definitely no Epiphones.
is illustrated by pauldenni.com
One accent color, one typeface, dots and lines. Every element I removed made the remaining ones easier to read.
is illustrated by 90s hip hop
An MPC, a crate of records and a small number of bars. The limits were the instrument.
is illustrated by Back to the Future
One town, one street, two eras. It gets enormous range out of deliberately refusing to go anywhere else.
is illustrated by The Guild acoustic
One sound, no controls, no pedals. Whatever you want out of it has to come from your hands.